As an interdisciplinary artist based between Stockholm and London. Geraldine participates specifically at the intersections of site, material/ecological realignment and otherness regarding the relationships between magic/folklore/myth, the female body and our more than human world.
This manifests as performance, sculptural installation, short film, soundscapes and participatory workshops.
Drawing from initial psychogeographic based work which was concerned with archetypes of the wild, sexuality and transgression in relation to carnival/ritual, place and event, Geraldine's practice has gradually evolved to acknowledge her own relationship to esoteric and lost knowledges, as experiential research rather than anthropological study, in this way she questions the notion of consensus reality, blurring the lines between accepted fact and fiction when placed in contaxt of post colonial revision.
By eschewing a capitalist methodology and instead opting to work intuitively through storytelling and scripting, she co-opts pilgrimage and ritual as a healing conduit for reacquaintance with land, spirit and the more than human world.
She is currently pursuing the MFA at Goldsmiths where her research is concerned, respectively with herstories which arise through various land pilgrimages - alongside a metaphysical banishing of the enclosures and a reclamation of the wrongs enacted during the burning times in 16/17th C England.
Working on location with these sites and sourcing the raw material lays the foundation for transformative myth making, a naming of wrongs and recognition of othered women.